AG-HVX200APS
In upgrading the AG-HVX200 to the AG-HVX200APS, Panasonic replaced the imager with a new one that still has an effective resolution of a 1.1 million pixel imager, and better low light performance and less noise.

The AGHVX200APS offers all the invaluable features of the popular AG-HVX200 and adds a higher-resolution 3-CCD imager and improved image performance.

AG-HVX200APS - AG-HPX170 Comparison Chat

The HVX200APS is equipped with a 1/3" 16:9 progressive 3-CCD imager (effective resolution of 1.1 million active pixels with a spatial offset) that delivers outstanding image quality. It offers lower smear and a higher S/N ratio that results in lower noise and better low light performance than the prior model. The HVX200APS's image quality is also enhanced by a new high-performance digital signal processor (DSP) featuring 14-bit A/D conversion and 19-bit inner processing. Equivalent to the processors used in many higher-end HD cameras, this new DSP ensures precise, beautiful recordings in all video formats. Because the HVX200APS scans at native 1080P for the initial picture processing, users get the highest level of vertical resolution, whether shooting in HD or SD.

Wider Angle (13X) Leica Dicomar® Zoom Lens

The camera's lens system features a large 82-mm diameter filter including three asperical lenses. With its powerful 13x zoom lens, the camera offers a wide 30mm (35mm equivalent) viewing angle, covering most shooting situations without the need for a wide-angle conversion lens. The lens also features an Optical Image Stabilizer (O.I.S.) function that ensures stable images during shooting.

Variable Frame Rates for Fast- or Slow-Motion Effects

The HVX200APS offers variable frame rate capability, providing the cinematic expression of higher-end cameras like the Panasonic VariCam® AJ-HDC27. In 720p mode, the HVX200APS's frame rate can be set from 24p/30p to any of 20 steps between 12p and 60p, allowing for undercranking/ overcranking for fast or slow-motion effects in 720P. These effects can be dubbed to a DV tape after recording to offer some unique capabilities in the SD mode.

Outstanding P2 HD Reliability and Flexibility, Plus DV Recording

Offering the vast advantages of P2HD solid-state acquisition as well as a mini DV tape mechanism for shooting in SD, the HVX200APS is ideal for transitioning from an older standard definition, tape-based infrastructure to a file-based, high definition production.

With two 32GB P2 cards installed, the camera records for up to 160 minutes in 720/24pN native. It can record up to 64 minutes in other full frame DVCPRO HD formats, 128 minutes in DVCPRO50, 256 minutes in DVCPRO. Recording times double with the upcoming 64GB P2 card. 

•  Multiple format recording: DVCPRO HD, DVCPRO 50, DVCPRO, DV selectable
•  Supports 1080/60i, 1080/24p, 1080/24pA, 1080/30p, 720p/60p, 720/24p (over 60p), 720/30p (over 60p), 720/24pN native, 720/30pN native 480/60i, 480/24p (over 60i), 480/24pA (over 60i), 480/30p (over 60i)
•  Uncompressed 4-channel, 16-bit digital audio recording in DVCPRO HD and DVCPRO50
•  Eight Gamma settings for various shooting scenarios, including News Gamma and Cine-Like gamma for recordings that capture the warm tones of film
•  Advanced image adjustments include color matrix, detail, chroma phase, color temp, knee points
•  Cam-driven manual zoom, large manual iris control, focus assist, gain, two ND filters (1/8th and 1/64th) as well as slow, synchro and high-speed shutter
•  A 3.5" LCD monitor allows thumbnail display of footage and a large electronic viewfinder can show peaking for easier focusing
•  A multitude of recording functions including pre-record (to capture moments that occur right before the start button is pressed), hot-swapping, shot-marking, loop recording, interval and one-shot recording for stop-motion and effects
•  Internal downconversion to Mini-DV Tape
•  Interfaces include IEEE 1394 and USB 2.0 interfaces (connect directly to a PC or MAC), built-in stereo microphone, two XLR inputs with Phantom power and analog component signal terminals
•  Convenient operation functions include a programmable scene file dial with six presets, three user buttons and manual/auto settings for aperture, gain, tracking white balance and focus 
•  Auto trace white (programmable to several locations), two manual white balance settings (3200K, 5600K), zebra levels, tally lamps and center marker
•  Offers full time code functionality (including time code jamming over IEEE 1394 (Firewire) from another device)
•  SD Memory card slot for sharing scene files or saving user files
•  Remote control offers quick control of settings, start/stop, zoom, focus, auto/manual/iris control, and more
•  Lightweight (5.5 lbs), ergonomic design with trigger/zoom control located on upper handle grip for hand-held work
•  Comes standard with the Barry Green HVX Book 

Specifications

GENERAL
Supply Voltage: DC7.2V / 7.9V
Power Consumption: 11.6W (when viewfinder is used), 12.0W (when LCD monitor is used)
MAX 14W
Operating Temperature: 0°C to +40°C (32°F to +104°F)
Operating Humidity: 10% to 85% (no condensation)
Weight: Approx. 2.5kg (5.5 lbs) excluding battery and accessories
Dimensions (WxHxD): 168.5 x 180 x 390 mm (6-11/16" x 7-1/8" x 15-3/8")

CAMERA
Pick-up Device: 3CCD (1/3-inch interline transfer type and progressive modes supported)
Lens: LEICA DICOMAR lens with optical image stabilizer,
motorized/manual mode switching,13 x zoom,
F1.6 to F 2.8 (f= 4.2mm to 55mm) (35mm equivalent: 30.3mm to 394mm)
Optical Color Separation: Prism system
ND Filter: 1/8, 1/64
Gain Selection: 60i/60p mode: 0/+3/+6/+9/+12/+18 dB
(when using slow shutter, 0 dB fixed)
30p/30pN/24p/24pA/24pN mode: 0/+3/+6/+9/+12 dB
(when using slow shutter or VFR rate of less than 24p: 0 dB fixed)
Frame Rate: variable 12/18/20/22/24/26/30/32/36/48/60 fps (frame/sec)
Shutter Speed: 60i/60p mode: 1/60 (OFF), 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000 sec.
(Preset) 30p/30pN mode: 1/30, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000 sec.
24p, 24pA, 24pN mode: 1/24, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000 sec.
Shutter Speed: 60i, 60p mode: 1/60.0 sec. to 1/249.8 sec.
(Synchro Scan) 30p, 30pN mode: 1/30.0 sec. to 1/249.8 sec.
24p, 24pA, 24pN mode: 1/24.0 sec. to 1/249.8 sec.
Aperture Angle: 10° to 350° (Shutter Angle is selectable under Film Cam Mode.)
Slow Shutter Speed: 60i/60p mode: 1/15, 1/30 30p/30pN mode: 1/15 sec.
24p. 24pA, 24pN mode: 1/12 sec. (only in 720p mode)
Minimum Luminance: 3 lx (F1.6, +12 dB gain, at 1/24 shutter)
Lens Hood: Large lens hood with wide view angle
Filter Diameter: 82mm
Video P2 General (DVCPRO HD, 1080i/720p)
Sampling Frequency: Y: 74.25 MHz, PB/PR: 37.125 MHz
Quantizing: 8 bits
Compression: Compression ratio 1/6.7, DCT + variable length code
Recording Bit Rate: 100Mbps
Audio P2 General (DVCPRO HD, 1080i/720p)
Sampling Frequency: 48 kHz / Quantizing 16 bits / 4ch
Frequency Characteristics: 20 Hz ro 20kHz
Memory Card
Recording Format:*1 DVCPRO HD
1080/60i (30p over 60i, 24p over 60i, 24pA over 60i),
720/60p (30p over 60p, 24p over 60p),
720/30pN (Native Record), 720/24pN (Native Record)
DVCPRO 50/DVCPRO/DV
480/60i (30p over 60i ,24p over 60i, 24pA over 60i)
Audio Recording Format: PCM digital recording 48 kHz /16 bits
4ch (DVCPRO HD/DVCPRO 50), 2ch/4ch selectable (DVCPRO/DV)
Recording Time*2: 32 minutes with one AJ-P2E032XG (DVCPRO HD, 1080/60i)
(Approx.) 80 minutes with one AJ-P2E032XG (DVCPRO HD, 720/24pN)

VTR part General
Recording Format: DIgital Video SD
Tape Format: Mini DV cassette (6.35mm width metal evaporated tape)
Recording Video Signals: 480/60i (NTSC Digital Video, Standard Definition),
24p/24pA/30p mode (all convert to 480/60i and record)
Frame Rate: 60i (480i), 24p, 24pA, 30p
Recording Audio Signals: PCM digital recording, 16 bits: 48kHz/2ch or 12 bits: 32kHz/4ch
Wow & Flutter: Below measurable limits
Recording Tracks; Digital video / audio signals: helical track
Time code: helical track (sub-code area)
Tape Speed: SP mode: 18.812mm/sec, LP mode: 12.555mm/sec
Recording Time: SP mode: 63 min. (When using AY-DVM63MQ)
FF/Rew Time: Approx.140 sec. (when AY-DVM63MQ is used)

VIDEO connectors
Video Out: Analog component, Y: 1.0Vp-p , 75Ω, PB/PR: 0.7Vp-p , 75Ω
Video In/Out: Pin Jack x 1, Analog composite, 1.0Vp-p , 75Ω
(In/out automatically switched, Input DV tape mode only)
S-video In/Out: 4-pin, Y/C Y: 1.0Vp-p , 75Ω, C: 0.286Vp-p , 75Ω
(In/out automatically switched, Input DV tape mode only)
Component Analog Out: D-Connector for HD Images

AUDIO connectors
XLR In: XLR (3 pin) x 2 (Input 1/Input 2), Input: High impedance
Line: 0dBu, MIC: –50/–60 dBu (selectable in menu)
Line In/Out: Pin Jack x 2 (Input 1/Input 2), (automatically switched),
In: High impedance 316mV, Out: 600Ω, 316mV
Internal Microphone: Stereo Microphone
Phones: Stereo Mini jack (3.5mm diameter)
Internal Speaker: 28mm round shape x 1

OTHER connectors
IEEE 1394: 4-pin Digital input/output, based on IEEE 1394 standard
USB: Type mini B connector (USB ver.2.0)
Camera Remote: Zoom, Rec (Start/Stop) Super Mini jack (2.5mm diameter)
Focus Iris, Mini jack (3.5mm diameter)
DC Input: 2P x 1, 7.9V

Monitor, AC Adapter, and Other packages
LCD Monitor: 3.5 inches, LCD color Monitor, 210,000 pixels
Viewfinder: 0.44 inches, LCD color Viewfinder, 235,000 pixels
AC Adapter: Weight: 160g, Dimensions: 70 (W) x 44.5 (H) x 116 (D)mm
Supplied Accessories: AC adapter/charger, AC Cord, DC Cord, Battery (5400mAH),
Wireless remote controller (Button-type battery), Microphone holder,
Eye cup, Shoulder strap, Ferrite core, Component Video cable,
Pin-BNC conversion plug, P2 card software driver install (CD-ROM )

*1: For the precise recording rate, multiply the indicated value by 1/1.001.
*2: Time shown above is when you record a series of 1 shot to P2 card.
Depending on numbers of shots you record, time will get shorter than the number shown above.
 

OPTIONAL ACCESSORIES

P2-Final Cut Pro Workflow part1               P2-Final Cut Pro Workflow part2

P2-Avid Media Composer Workflow

P2-Avid Xpress Pro Workflow

Spec. Sheet

For Current Pricing and Availability:
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